Sony F5.
Sony XDCam – PDW-F800.
Canon 5D Mark 3.
Zeiss CP2 Prime lens – 21mm, 35mm, 50mm, 100mm
Canon 17-120mm Cine Zoom.
Canon 70-200mm 2.8 zoom.
Canon 4.3 – 60mm Wide angle zoom lens
Canon 7.5 –  158mm zoom lens.
Ronin-M Gimbal
Osmo Handheld Gimbal (4k able).
Gopro Hero plus cameras and various mounts and accessories.
Camera tripods, mounts and rigs for XD and Canon cameras. Monopod, Portable dollys (tracks) and car rigging (for XD as well as other cine cameras).

All sources, from HMIs to tungsten Fresnels and open face units and LEDs
Kino flos, Dedos (halogen and LED), LED litepanels, Cineroids and high output Phosphor panel light.
Smaller units for interior car lighting.
Diffusion, scrims and Chimeras for interior and exterior lighting control.
My inventory of lighting is more than enough to light a contained feature film.
Wireless (7inch) monitor for field or studio Directors. 
Accessories to mount lights and cameras in almost any position on location or set.
Camera vehicle for gear and passengers.

Eighteen years ago – the beginning of my freelance career, armed only with a (Std) Betacam camera, a couple of Redheads and a tripod (all of which I still have), the kit continues to grow with the advancements of technology and the diversity of productions.

My gear and I have travelled and photographed through the jungles of Papua New Guinea, the toughest gaols of Australia, abseiled Skull Rock at Wilsons Prom then back to the culinary delights of Asia and the unpainted walls of The Block in Melbourne.

More locations to come!